Fiebres 

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.

An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.

A dynamic journey of self-acceptance and identity.

A short hybrid film featuring everyone's favorite Disney characters.

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.