
Naho and Hitomi are a high school girl couple living in a rural town in Japan. Naho wants to be a K-POP idol in Korea, and Hitomi supports her devotedly despite never believing such a dream to be a reality. When Naho passes one of the auditions for being Kpop Idol, Hitomi decides to collect empty plastic bottles to take unexpected action.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?