Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Face Control poster

Face Control 

Savvas is a doorman in a fashionable Athens club, but after years of nightlife he is going through his “midlife crisis” at 30! On Christmas Eve he meets Lia, the daughter of an infamous big businessman, whom Savvas sees as his “other half”. A confirmed atheist up till now, Savvas starts to interpret various coincidences as divine signs. When he decides that Lia’s father is to blame for her S&M proclivities, God arms his hand with a 45mm gun.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Savvas is a doorman in a fashionable Athens club, but after years of nightlife he is going through his “midlife crisis” at 30! On Christmas Eve he meets Lia, the daughter of an infamous big businessman, whom Savvas sees as his “other half”. A confirmed atheist up till now, Savvas starts to interpret various coincidences as divine signs. When he decides that Lia’s father is to blame for her S&M proclivities, God arms his hand with a 45mm gun.

Rating:
Genre:Romance, Drama
Written By:Vangelis Seitanidis
In Theaters:
Box Office:

Runtime:84 minutes
Studio:Greek Film Centre

Articles You May Like


It's Theater VS Cancer in "Don't Say Good Luck"

Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.

Jo Moses