“Let it Snow”: A Decent Netflix Christmas YA Rom-Com
Let it Snow in a nutshell, is a warmhearted coming of age teen Christmas movie.

In 1991, in a field near the Nepalese hamlet of Gokyo, four men climbed into two fragile wicker baskets and poured flame into their hot air balloons. They were to become the first balloonists to fly over Mount Everest. For Leo Dickinson and Chris Dewhirst, the cameraman and pilot in one of the balloons, the flight was to settle old scores after three previous attempts and several life-threatening crashes. This documentary follows their successful flight over the finest panorama on earth in the oldest of flying machines, before their final crash landing in a remote corner of Tibet. Their voyage remains the only balloon flight over Everest to this day.
Let it Snow in a nutshell, is a warmhearted coming of age teen Christmas movie.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
A dog who needs to learn new tricks in this family comedy.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.