A dedicated wife and mother takes the blame for embezzling money that was actually stolen by her husband in order to buy medicine and a doctor's care for the couple's seriously ill infant son. Consequently, the well-meaning woman is willingly sentenced to years in prison for a crime she did not commit-all because she believes her son will fare better if the bond between father and son remains intact. Upon her release, she soon discovers that no good deed goes unpunished. Her once loving husband has remarried a woman that her son calls Mother, After just a brief glimpse of her loved ones, she simply leaves without saying a word. Many years later, she becomes a patient at her son's busy medical practice just so that she can keep an eye on his progress in secret. In a cruel twist of fate, it is only after he diagnoses her as being terminally ill does does she reveal her true identity. The poor woman subsequently learns that her former father-in-law lied about her initial release from ...
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
It’s almost the end of the first month of 2021, and just over a week since the U.S. saw a new president take office. In light of the occasion, some of us highlighted our favorite political films below!
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
