
Set in the not so distant future when poor air quality leads to people living mostly virtual lives. Carol is a dissatisfied career mother, struggling to find connection within her marriage to Gary and her child. With the day to day familiarity of their home and lives feeling increasingly claustrophobic, and worried she could be heading towards divorce, Carol leaps at the chance to get her life back on track by signing up for "DreamQuil", an avant-garde digital wellness retreat. When Carol returns home however, she discovers her family has been living with "Carol 2", a robot the corporation sent designed to help in her absence, and things take a mysterious and sinister turn.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
Through three intricately crafted seasons of television, "Hannibal" has managed to make itself into the best incarnation of the self-titled work.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.