Past Lives (2023) – What If Timing Was the Only Thing That Got in the Way
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.

"One sees a close-up shot of a glass being filled with water. Bubbles are formed but slowly the water regains its still quality. The glass then acts as a deformative device between the viewer and the artist, as a hand is writing "don't do to her what you did to me" on the back of the photographs. Everything is still again for a short while until, slowly and majestically, a flush of black ink flows downwards, staining the water... The ink preludes the more dramatic fate of the repeated haunting images, the deceased woman. One hears a metallic sound as the photographs move in a more frenetic spin. One is aware of the glass again, of the limited space where a struggle takes place between a probable spoon and the photographs which dematerialise under one's eyes. The sheer immediacy of the destruction process is intensified as the image dissolves into an organic paste. Then, a woman, the artist, drinks the solution, the last ironic phase of the talisman." -S.Z
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
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For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
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An anti-war film denouncing the valorization of senseless violence, 'All Quiet on the Western Front' is (unfortunately) all too relevant in 2022.