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The trainwreck is hot but tame.

David Fincher is back in his playpen, with a dark and chilling thriller.

Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.