Wayward Really Is Worth All The Hype
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.

1946, a poverty-stricken village, and a hungry winter is ahead. To their misfortune, boys find a book on black magic at an abandoned royal manor. With the help of dark forces, any wish can be granted. Now the whole village is infected with a delusional idea - to make a deal with the Devil. But what price must be paid? A price that leads to a tragic and terrible denouement.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.
This delightfully odd horror movie presents a whimsically strange alternate reality to younger audiences.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.