The Relentless Victimization of Marilyn Monroe in "Blonde"
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.

Life gets on Erol Ozak's nerves. The enforcement officer is supposed to collect something from people who have nothing. And suddenly there's a bag of money, a dead person, then the money is gone again and the melancholy man from the tax office has a bag of problems instead. A bit of genre coolness, a bit of arthouse slowness, a bit of robber's tale. Sözer and Eggert in silent greatness. Unusual, brittle, worth seeing.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
If you’re also a major fan of the familiar strangers story between two people of different generations, here are 5 underrated films you probably haven’t heard of, but might thoroughly enjoy.
“The most disrespected person in America is the Black Woman/the most unprotected person in America is the Black Woman,” Director Spivey Jr quotes. The quotes are absolutely true. Misogynoir is a devastating social ill that is not given the weight it is due.
If you want to feel the rush, you have to take the risk.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.