
Daniel Saxon is an aspiring writer with a life that mirrors the twisted world he habits: vacant. Abandoned. Burnt-out and fragile. Barely making ends meet, Daniel keeps to himself, struggling to finish both his novel-in-progress and the unwritten story of his life. As Daniel continues to write, he begins to struggle against his dormant inner demons - cryptic memories from his past come to haunt him. Nightmares of an old man, a child, and a deafening heartbeat plague him, keeping his relationship with Lauren from blossoming... and matters are only complicated when they begin spilling over into reality. Already emotionally vulnerable, Daniel finds his senile, estranged father thrust back into his life without warning; it soon becomes evident that the old man's past evils hold the key to Daniel's anguish. Soon, Daniel's novel, day job, and love life are thrown to the wayside as he cares for his father, and he is forced down a dark journey of insanity, hatred, writer's block, and murder.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.