Two clutzy teenage girls accidentally steal money from a gangster. Now, with a vicious criminal after them, the girls must rely on their friends and teachers at their high school to protect them.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
