Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Co(te)lette poster

Co(te)lette 

This is the original stage recording of Ann Van den Broek’s iconic performance “Co(te)lette”, filmed in The Hague in 2007. Three female dancers explore the conflicting territories of flesh and femininity, beauty and destruction, tenderness and brutality, uncontrolled desire and the need for satisfaction — both physical and mental. There is no linear narrative, no solution, and no ending: only the raw presence of the performers and a score that merges church organ, voice, and noise. “Co(te)lette” is an intimate, unflinching meditation on the boundaries of body, gender, and gaze.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


This is the original stage recording of Ann Van den Broek’s iconic performance “Co(te)lette”, filmed in The Hague in 2007. Three female dancers explore the conflicting territories of flesh and femininity, beauty and destruction, tenderness and brutality, uncontrolled desire and the need for satisfaction — both physical and mental. There is no linear narrative, no solution, and no ending: only the raw presence of the performers and a score that merges church organ, voice, and noise. “Co(te)lette” is an intimate, unflinching meditation on the boundaries of body, gender, and gaze.

Rating:
Genre:Music
Directed By:Ann Van den Broek
Written By:
In Theaters:
Box Office:

Runtime:61 minutes
Studio:

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger