Honey Girls Jam Their Hearts Out
A trio of girls form a band and enter a singing competition together after learning they work best as a team.

This is the original stage recording of Ann Van den Broek’s iconic performance “Co(te)lette”, filmed in The Hague in 2007. Three female dancers explore the conflicting territories of flesh and femininity, beauty and destruction, tenderness and brutality, uncontrolled desire and the need for satisfaction — both physical and mental. There is no linear narrative, no solution, and no ending: only the raw presence of the performers and a score that merges church organ, voice, and noise. “Co(te)lette” is an intimate, unflinching meditation on the boundaries of body, gender, and gaze.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
I understand that this would have been consistent with the language used by that generation, due to its role in the medical profession, however as someone who has family members with Down Syndrome I took it very personally.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
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