Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The story centers on Jean (François Beukelaers)—an ex-colonial and former mercenary—and his girlfriend Nadia, who together run the tavern. The bar serves as a gloomy crossroads where three different generations of patrons intersect. As these lonely individuals drink and collide, they confront each other's unfulfilled dreams, romantic illusions, hidden desires, and sudden outbursts of aggression. Trapped between their past actions and what could have been, the characters struggle with profound miscommunication. The film blends dark melancholy with sharp injections of humor, tracking a complex web of human relationships where everyone is simultaneously the hunter and the prey.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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