
CHUCK THE DUMP TRUCK and FLIP THE RACE TRUCK meet for the first time. Each truck shares his special talents. Chuck is great at lifting and building. Flip can race fast and do incredible stunts. Competition sparks, and the trucks challenge each other to a contest. Chuck creates a stunt course and tries to do better tricks than Flip. Flip builds a tall tower and tries to climb higher than Chuck. In the end, the trucks learn a valuable lesson: they need each other to succeed. Will the trucks become friends? Find out in this action-packed adventure!
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
The "Daredevil" renaissance is finally upon us! As we return to the Netflix show, let's take a look at the ways the show gets blindness right and wrong.
The film is a powerful narrative encompassing a theme that many people can identify with.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.