What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
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A Japanese photojournalist revisits Vietnam after the liberation to document the nation, and begins following and documenting the young children from a poor Vietnamese family.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.