The Bizarre World of PN & Friends Episode 30: Reboot
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.

Two sets of parents, one Arab the other Jewish, are on a stakeout to find out who is writing graffiti on the walls of their Arab-Jewish school.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
Only time will tell what this new Black Panther and movie will show us with all of the old and new elements of the superhero craft integrated.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.