No Other Choice: Killing for the Family at the Age of Obsolescence
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.

Photographer Wang Jiu-liang travels to more than 500 landfills, fearlessly documenting Beijing's unholy cycle of consumption through poignant observational visits with the scavengers who live and work in the dumps. While China's economic ascent commands global attention, less light has been shed upon the monumental problem of waste spawned by a burgeoning population, booming industry, and insatiable urban growth. Award-winning photographer Wang Jiuliang focuses his lens upon the grim spectacle of waste, excrement, detritus, and rubble unceremoniously piled upon the land surrounding the China's Olympic city, capital, and megalopolis, Beijing.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
David Fincher is back in his playpen, with a dark and chilling thriller.
A dynamic journey of self-acceptance and identity.
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.