Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

He feels like a bloated balloon; he wonders if he still breathes. He bumps into a girl who once sat next to him at school, he wonders if it means anything to revisit the memories of secondary school. Or does he merely want to prove how incapable of breathing they all have become? Once she dreamt about becoming a dancer, now she works as a yoga instructor, teaching others as well as herself to breathe properly. Balloon vividly portrays the disillusionment, loneliness and nostalgia of people who have been working for almost a decade. Just how jaded have we all become?
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
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