"Elio" and What Could Have Been
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.

The naive Saroop (Nandrekar) romantically renounces earthly pleasures under the influence of a sadhu (Ashraf Khan). Arrested at a fairground and jailed, fellow convicts change his view of the world. Working in the prison’s garden, he meets the superintendent Sohanlal’s (Nazir) daughter Durga (Kumari), who was married as a child to a boy now believed dead. Ranjit (Singh) covets her and on her wedding day to the nasty Ranjit, it is discovered that Saroop was her child-husband.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
American Fiction is a genuinely entertaining film with a few lessons.
A short hybrid film featuring everyone's favorite Disney characters.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.