Soledad and Javier meet by chance and find pieces of themselves in what the other has lost. Without a single word, they start to discover each other. As they move through streets, parks, and quiet glances, their bond takes shape over one single day.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
An adaptation of the book series ‘The Knife Of Never Letting Go’.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
