'Pain Hustlers' (2023): An Opioid Crisis
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.

Ear-splitting improvisational noise sculpture and Christianity aren't normally mentioned in the same breath. But they are the twin passions of North Carolina musician Scotty Irving, and the essential elements of his one-man act, Clang Quartet. Using homemade instruments achieving unfathomable volumes (and inspired by Biblical verse), Irving challenges his audience to rethink traditional ideas of music and spirituality. When Irving's motivations for walking so far out on musical and theological limbs are revealed, the "Armor of God" becomes a metaphor for the courage to create. Armor of God screened at more than eighty festivals and cinema venues internationally, winning nine awards (including a Juror's Citation from the Black Maria Film and Video Festival). The film also screened on regional PBS.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.