Mahavatar Narsimha Movie Review – A New Era for Indian Animation
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.

When the first wave of punk broke Australian shores in the 1970’s it was met with a fierce embrace that still reverberates. Adopted and adapted with fearsome intensity by disenfranchised, pre-globalisation Australian kids against the isolation and cultural vacuity of mainstream Australia, punk was a DIY counterculture - a profound, lived, visceral critique of late 20th century capitalism. Australian punk chose values and agendas that for many have become lifelong.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
Seven years after George Miller's previous film, 'Mad Max: Fury Road', he dives back into the scene with an equally daring movie. Although not nearly as action-packed, his newest film 'Three Thousand Years Of Longing' challenges the typical format of a film, giving you a well-known plot in an unexpected way.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.