EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

An elderly woman at the end of her life reminisces her years spent at a boarding school for girls.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
This reboot of The Wonder Years is told from the lens of a Black man.
Housefull 5 attempts something bold with two endings — but does the gamble pay off? Read this spoiler-filled review for a breakdown of both versions, standout moments, and why it might be the franchise’s most forgettable entry yet.