Love, Regret, and Art: Pandemic Lessons from Station Eleven and The Real World
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.

A masterly study of a middle-aged woman waking up after 30 years passed in a coma induced by sleeping sickness. In her mind she is still 16, and her attempts to fathom the changed world into which she re-emerges is not only poignant and emotionally charged but, in the end, devastatingly brilliant theatre as well.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.
The Owl House has swiftly become one of Disney’s beloved cartoon series.
An action-packed adrenaline rush with a diverse cast that delivers evocative storytelling.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch