A Home to Die For (2025)

Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.

'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.

This Halloween movie is a remake of the 2003 movie of the same name with Black representation.

‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.

Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.

'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.