The Weirdness that is 'Severance'
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.

Four strangers (a verbose romantic, a human lie detector, an expert pickpocket, and a woman with a preternaturally precise sense of time) are brought together by chance when they inadvertently team up to thwart a bank robbery. Recognizing the potential of their combined talents, they decide to form a bank-robbing gang themselves, just for the fun and romance of it. Their heists are played out swiftly and coolly, less like robberies than performance art. Eventually, the foursome's good-natured crime streak is interrupted when a man from one of their pasts creates a whirlwind of extortion and double crossing.
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.