'Eve's Bayou' Brings Post-Memory Towards West-Indian Culture
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.



A Babysitter's Guide to Monster Hunting is a 2020 Netflix movie that is centered around Halloween. Recruited by a secret society of babysitters, a high schooler battles the Boogeyman and his monsters when they nab the boy she's watching on Halloween.
This Halloween movie features a representative main character. Kelly Ferguson (Tamara Smart) is played by a Black actress, giving a strong representation of Black women. Two other Black actresses are given supporting roles. Rachel Talalay is our female director.
The movie opens with a scene of Kelly lying in her bed on a stormy night. Kelly sees shadows on the bedroom walls, hears thunder claps, and notices a creepy hand opening her door. The creature is a monster trying to attack her. The camera zooms in on her face as the monster prepares to attack. The scene fades to black, then transitions to Kelly waking up in her classroom, revealing to the viewers that this is all a dream.
This movie is a combination of a typical high school setting and fantasy elements. Kelly is struggling with her typical adolescent life; she is a high school freshman who is embarrassed to be called "Monster Girl" because when she was five years old, she had nightmares about monsters under her bed. She is surprised when her mother gives her a babysitting job on the weekend of the Halloween Party. She is unable to refuse the offer because, according to her mother, the woman who is looking for a babysitter is nicknamed "the Ice Queen". This nickname gives viewers a literal image of the woman herself, as she is dressed like "the Ice Queen"; her white dress, makeup, and tiara comply with the nickname. "The Ice Queen" gives Kelly a list of strict restrictions on what her son Jacob can and can't have.
Jacob doesn't like his mother very much because of her strict restrictions. When Jacob admits to Kelly that he doesn't want to go to bed early because he has nightmares about monsters under his bed, Kelly realizes she and Jacob have much more in common than she realizes. She uses her previous experiences with monsters and bad dreams to help Jacob; this forms a friendship. This friendship further expands when Jacob is kidnapped by monsters in the middle of the night and Kelly goes out to rescue him.
Kelly's conflict is her fear of bad dreams and monsters. This conflict drives the plot into action. There are animated monsters and real humans that coexist in the same world. As mentioned in the movie's title, 'A Babysitter's Guide to Monster Hunting,' Kelly teams up with another high schooler student named Liz to battle and hunt down monsters.
What starts out as a typical Saturday night has turned into the spookiest adventure of a lifetime. There are mystery elements in this fantasy Halloween movie; Kelly and Liz uncover clues leading to the hideout where Jacob is being held, hostage. Boogeyman is the main antagonist. Like all Halloween movies, there are scary elements such as lights flickering and thunder sounds.

Recruited by a secret society of babysitters, a high schooler battles the Boogeyman and his monsters when they nab the boy she's watching on Halloween.
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.
Written and directed by Rian Johnson (Looper, Star Wars Episode VIII: The Last Jedi), Knives Out was one of the most clever and intricately crafted films of 2019.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.