Just outside Paris, in a peaceful clearing surrounded by woods, a French flag flies above a bare concrete pad. Here, on February 21, 1944, Nazi occupiers executed 23 Resistance fighters by firing squad. After the executions, the Nazis highlighted many of the murdered fighters on a notorious red poster, labelling them as foreigners, communists, and Jews. 23 FOREIGNERS — OUR BROTHERS tells the stories behind some of the faces on that poster, exploring their lives through archival photos, letters they wrote on the eve of their deaths, and moving interviews with their descendants.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
Personalities clash and tempers fume in a family-run Chicago restaurant
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
In 1977, Star Wars changed the world. It took the universe by storm, completely redefining everything everyone knew about movies. But then, in 1980, The Empire Strikes Back changed Star Wars. Sequels were not as well regarded back then as they are today.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
