The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.

Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers. 

Supergirl is a decent movie, anchored by great action scenes and a great lead performance

Like most young people, Leviticus is imperfect.  But I love it anyways. 

Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.

We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.

If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse.  Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration. 

It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love.  It plays on men’s typical (though certainly not universal) inner-conflict

Omaha reminds us of what it can feel like to look at old family photographs.  You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it. 

Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.

This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.