Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

Due to Texas's abortion laws, which are some of the most restrictive in the country, Amanda Zurawski was refused an emergency procedure during a troubled pregnancy. The collapse of her uterus sent her into life-threatening septic shock, from which she continues to recover. Her tragic story is less rare than you'd think: When Zurawski took the bold step of fighting the laws in court, in a suit led by the attorney Molly Duane, 21 other women, all of whom had suffered devastating health effects from the Texas laws, signed on to support it.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.