'Happening' Explores the Horrors of Abortions Being Illegalized
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.

If life is a journey, Zoe’s has had more than its share of potholes and diversions: from diving with sharks, to sitting in a shed in Vietnam with a former health secretary (and discovering that MPs aren’t the only parasites she has to worry about). Navigating the road to happiness can be exhausting and baffling; Zoe’s begun to think that even Wim Hof would prefer to be tucked up with a nice hot water bottle every now and then. But Zoe’s been on that road long enough now that she’s felt a change – not as in the menopause. A real change. If happiness is ending up the best version of yourself, Zoe is finally getting there. She is where she needs to be. She is… werewolf.
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.