No Other Choice: Killing for the Family at the Age of Obsolescence
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.

Early 1921: a man is on his way home. Gleb Chumalov, regimental commander, worker and Hero of the Order of the Red Banner, returns to his home town from the Civil War. The victory over the enemies of the Russian people gives him the conviction that a new, better time will dawn overnight. Gleb looks for his comrades from earlier years, but only finds people who are emaciated by their efforts. The cement works where he used to work has been plundered and abandoned. With great effort, Gleb and his comrades try to get the plant up and running again. The struggle seems to begin anew... It is the time after the victory of the “Great October Socialist Revolution“ and the time of building a new society.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.
An action-packed adrenaline rush with a diverse cast that delivers evocative storytelling.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
There is a lot of controversy around Q-force. It’s certainly not hard to see why—the series is quite hyperbolic. I will say, that was the first aspect I noticed on my initial watch. Right from the get-go Q-Force barrages you with gay joke after gay joke. This is hit or miss throughout the series.