"Pretty": Metecan Duren's Ambitious Horror Debut Shows Promise
New horror film "Pretty" is good to look at thanks to 19-year-old director Metecan Duren.

An empty student neighborhood. A deserted college. A windy day at the beach. Pau and Gerard go to study abroadly near the Pacific, at twelve hours of distance from their homes. Through text messages between them and their families, their new student lifes are suddenly interrupted because of the expansion of the COVID-19 pandemic.
New horror film "Pretty" is good to look at thanks to 19-year-old director Metecan Duren.
A summary of the films featured in this annual event taking place in Westchester.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
A successful author’s life is upended when she finds herself on a plantation straight out of the antebellum south.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.