'Never Have I Ever' Season 2 Gets Messier, and It's Great
In season 2 of “Never Have I Ever," Devi make many mistakes in a messier season that explores the complex lives of its diverse cast more in-depth than before.

An adult actress Sora takes pride in her job. But pride doesn't protect her from kidnapping. She's locked up and ordered to try positions from her films on her kidnapper. She escapes, only to be found by her kidnapper while she's sleeping with her boyfriend.
In season 2 of “Never Have I Ever," Devi make many mistakes in a messier season that explores the complex lives of its diverse cast more in-depth than before.
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.