“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

The film begins with a knuckle-head playboy (Preston Foster) working on a road crew dressed in a tux in order to win a bet. Apparently, this guy will take on any bet or act on a whim. This becomes very apparent when he disrupts a food giveaway hosted by the mayor’s daughter and as a result of this, he announces he’s running for mayor–though he seems very much apolitical and has no interest in the job. Later, when he once again meets up with the mayor’s daughter (Joan Fontaine) they supposedly fall in love–although there seemed to be little chemistry between them and it made very little sense for Fontaine to suddenly love a guy she so quickly hated at the beginning of the film. Plus, she really had plenty of reason to dislike the guy.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.