Dong-goo and Yeon-hee are losing their love and affection for each other because of their insensitivity to sex and sexual preference due to being married for a long time. Then one day, Dong-goo hears the story of sex master Wang-nan from his sex partner Yoo-gyeong and finds her for a different sex. After many twists and turns, the two, who found Wang-nan's disciple Min-yong, began training to receive the essence of sex from Wang-nan. However, Dong-goo began to rebel with doubts about the training of Wang-nan. However, Yeon-hee is so into Wang-nan. Will Dong-goo be able to protect Yeon-hee from them?
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
