Experiencing a Wonderful Frozen Fever
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No Way Out (2009) was a PPV presented by AT&T. It took place on February 15, 2009 at the KeyArena in Seattle, Washington. It was the 11th event under the No Way Out name and featured talent from the Raw, SmackDown and ECW brands. The main event on the Raw brand was an Elimination Chamber match for the World Heavyweight Championship between John Cena(c), Rey Mysterio, Chris Jericho, Edge, Mike Knox, and Kane. The predominant match on the SmackDown brand was an Elimination Chamber match for the WWE Championship featuring Edge(c), The Undertaker, Triple H, The Big SHow, Jeff Hardy, and Vladimir Kozlov. The primary match on the ECW brand was for the ECW Championship between Jack Swagger and Finlay. The undercard also featured two more matches from the Raw brand. The first was a No Holds Barred match between Randy Orton and Shane McMahon and the other saw Shawn Michaels versus John "Bradshaw" Layfield.
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The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.