Magda Salvesen met American painter Jon Schueler in Scotland in 1970. A few months later, he made a will leaving her the entire body of his work. A film about art, love, responsibility, legacy and the one-way march of time.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Korean culture shines in this Canadian export.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
