Kurosawa’s ‘Ikiru’ Comes Back to Life in ‘Living’
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
Wolf
Carolina Bianchi shares the stage with 16 men - actors, dancers and musicians - selected from a residency at the Oswald de Andrade Cultural Workshop in Bom Retiro, Sao Paulo. The show is an archaic study of passion, a sacrifice of bodies that do not deny their fluids: sweat, saliva, blood. With a dramaturgy organized in paintings, Wolf can be considered a moving painting. Performers form a chorus of crowd into extreme existence, in an unbridled sequence of actions / images: they run, fall to the ground, have sex with each other and recite Emily Dickinson's poems. The montage circulates in several languages, articulating text, dance, performance and theater.
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Carolina Bianchi shares the stage with 16 men - actors, dancers and musicians - selected from a residency at the Oswald de Andrade Cultural Workshop in Bom Retiro, Sao Paulo. The show is an archaic study of passion, a sacrifice of bodies that do not deny their fluids: sweat, saliva, blood. With a dramaturgy organized in paintings, Wolf can be considered a moving painting. Performers form a chorus of crowd into extreme existence, in an unbridled sequence of actions / images: they run, fall to the ground, have sex with each other and recite Emily Dickinson's poems. The montage circulates in several languages, articulating text, dance, performance and theater.
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