Fielder's "You Can See Everything" Asks Questions it Doesn't Have Answers For
One thing’s for certain: Holmes has star power. We may not be able to see everything, but we’re certainly all watching.

Brian, an out-of-work stockbroker, is introduced by his landlord Mr. Redman to a new source of insider information: the Ouija! The Ouija makes him rich, but when Mr. Redman kills himself and Brian suffers a freak accident, Brian's wife starts noticing changes in her husband...
One thing’s for certain: Holmes has star power. We may not be able to see everything, but we’re certainly all watching.
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.