In Morocco, a widely-accepted account fills the air, about three local fishermen who drowned at sea - allegedly after attaining visions of a mysterious woman who beckoned them to their deaths. As director Hakim Belabbes's feature Why, O Sea? opens, this chain of events seems poised to repeat itself in the life of a similar fisherman, Said. Day after day, he journeys into the sea, with his friends, to retrieve his daily catch. For better or worse, Said and his pals are seemingly bound to their occupation for life and enmeshed in crude, centuries-old techniques for plying their trades. When Said - like the unfortunate predecessors - also begins spotting a female presence who appears everywhere, calling ceaselessly to him, his mother grows sick at the thought that this may be a maritime apparition determined to lure him to a watery grave.
While not everyone may relate to the circumstances Danielle finds herself in in 'Shiva Baby', some are sure to understand her struggles as she is scrutinized for being a woman, a college student, an LGBT person, and a sugar baby.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
Overall, Altered Carbon: Resleeved is pretty “meh.” It’s cool and all that it takes a different approach from the TV show to make it animated rather than live action, but it doesn’t help that the animation looks like something from a video game.
A young girl named Hailey Mays sings a country song that is named after the film's title.
