An experimental dreamscape, "Who Should I Be in the World?" follows Tifeny Moreria, a first-generation Afro-diasporic immigrant navigating the deep psychological complexities of cultural assimilation. Moving through a Western society that demands the suppression of her native identity, she constantly grapples with alien languages, shifting cultural expectations, and the lingering generational trauma of Portuguese colonization. Director Jamal Ademola entirely rejects standard linear storytelling, instead masterfully blending live-action footage, historical archival clips, and vivid animation. This striking mixed-media approach beautifully mirrors the fragmented, multi-layered nature of memory and heritage. The film is a poetic, deeply intimate exploration of identity, survival, and the profound cost of belonging in a displaced world.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Udo Kier takes center spotlight in 'Swan Song' as Pat Pitsenbarger, a gay beautician who comes out of retirement for one last job and rediscovers himself along the way.
This spin-off series follows the adventures of Kitty Covey, Lara Jean's younger sister from the "To All the Boys" film franchise.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
