Reflecting on 'The United States vs. Billie Holiday'
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.

Renowned photographer, Larus, returns to Iceland to attend the funeral of his mother. With him is his wife Rose, twenty years his junior. With his homecoming, Larus begins to reminisce on his childhood, and becomes distant from his wife. Soon she begins to realize that not everything is as it should be.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
A successful author’s life is upended when she finds herself on a plantation straight out of the antebellum south.
A deer caught in the headlights is the perfect metaphor for Animals.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.