Ad Astra: Cinematic Hypnotism
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.

Shin, a painter, gets a fatal disease and cannot stop the shaking of his right hand. His wife Kei is a counselor, but lives without emotions. Their child, Kou reads people's minds but for that reason he lives with his own mind closed. As Shin starts losing his body functions, the family breaks down. One day, 'Sora', a gay caretaker comes into the house, so the relations of the family change, but in due course numerous tragic events occur.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.