‘Viral’ Review: Ignorance is a Dangerous Thing
Throughout the film, Kate desperately tries keeping her status as an influential YouTuber; however, her follower and view count crumble, mirroring the world around her.

George, a scientist living in Rotterdam is growing wary of the world of academia. The sudden death of an old friend is the incentive he needs to return to his African roots where he takes over a dilapidated field station in the jungle of Equatorial Guinea. There he meets an orphan boy with a sunny disposition who opens George's wary eyes to this colorful place. The boy plays matchmaker between George and the lady who runs the local orphanage and all seems rosy until an old friend of George's shows up out of nowhere to throw their lives into disarray as George discovers there are many obstacles on the road to redemption and a few more where the road runs out.
Throughout the film, Kate desperately tries keeping her status as an influential YouTuber; however, her follower and view count crumble, mirroring the world around her.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
If you enjoy the bizarre, silly and entertaining world of the horror B-movies and want a break from the nuanced and poignant big budget horror releases, I have a list of gore-fests from the last ten years to enjoy this October.
Stand and Deliver is an inspirational classic from 1988 starring Edward James Olmos as Jaime Escalante, and his class of rag tag students in East Los Angeles. It’s the story of how a new teacher shows a motley group of students in the inner city with backgrounds as gang members, dishwashers, and mechanics — the power of self-determination. He teaches the teenagers to believe in themselves through algebra and calculus.
It’s hard to capture the emotions and thoughts of a character just from a few shots, but Oscar-nominee composer Micachu's haunting melodies prove otherwise in 'Jackie'.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?