“Clayface” Does Not Save a Cat
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.

On her birthday, Greta avoids the town fair. After work at a piñata shop, she finds silence in a secret spot. Returning home, as fireworks crackle and the corrida begins, her father, missing for five years, is back.
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.