“Dangerous Lies” is as Predictable as Can be
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.

They thought she had the perfect life; wealthy and privileged, an honor student with her whole life mapped out. What they didnt know was what lied inside of her; pain and anguish; tearing at her until there was nothing left. Lost and alone, the young woman (Heather Dorff), finds solace in the form of a glistening blade, splitting her skin deeply. Her self-indulgent mother and obnoxious sister (Kelsey Zukowski), are completely oblivious to her inner-turmoil. She has long since become numb to the world around her, getting that sensual release, as the razor cuts deeper, watching the blood drip, is all that matters. As soon as the last drop falls, the calm is stripped away from her with it. How far will she go to silence the hunger that now consumes her? Will she be able to regain control of her life, body, and sanity?
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
I understand that this would have been consistent with the language used by that generation, due to its role in the medical profession, however as someone who has family members with Down Syndrome I took it very personally.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
A movie that brings Indian culture with classic Bollywood themes and electronic dance music.
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.