Nevertheless, she persisted: Dora and the Lost City of Gold
Dora is the superhero we didn't know we needed.

From the coast of Gorée, director Arma Gòo embarks on the "Kumba Kastel", with a troupe of the island's best storytellers, dancers, singers, actors, fire eaters, and acrobats. He wants to go to the Cinecittà studios in Europe to shoot an epic musical. Their journey takes a tragic turn.
Dora is the superhero we didn't know we needed.
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.