"Sorry, Baby" is a Masterful Look at the Emotions of Life
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.

On the major social and political issues of our time, economist, author, and columnist Walter Williams is one of America's most provocative thinkers. He is black, yet he opposes affirmative action. He believes that the Civil Rights Act was a major error, that the minimum wage actually creates unemployment, and that occupational and business licensure and industry regulation work against minorities and others in American business. Perhaps, most importantly, he has come to believe that it has been the welfare state that has done to black Americans what slavery could never do: destroy the black family
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.